Three Colours

Blue

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Blackbird

Raga

Sky

Transmission

White

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The blind owl

sees no shadows

but feels the sun

Red

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Sounding

the sun-bleached

colour-field.

 

A chorus

of fire music.

Now playing: Alice Coltrane – Saved from the Fire: The Ashram Tapes of Alice Coltrane, Mix for RBMA Radio by Frosty

From a walk to Dunfermline via Pattiesmuir, under a baking sun, 18th June 2016.

Cartographies of Chance – Underneath the M90 (II)

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Found Art – I

These images were ‘found’ beneath a section of the M90 Motorway; an elevated brutalist behemoth straddling ancient agricultural land, north-east of Rosyth. The sheer mass of concrete overhead creates an almost cave like sensation when standing directly underneath. Folded into artificial darkness, violent white light spills around the concrete edifice, flooding the hinterland of perception. Looking out from the cocoon of the dark belly, steel giants stalk the landscape. Above, the dull thud-thud of unseen vehicles passing.

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Imaginary maps of this hidden microclimate are revealed in the concrete structures and the very land itself.

Compared to the verdant vegetation in the surrounding fields, the dry earth fractures into mesmerising worlds of ambiguous scale.

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Concrete surfaces leach vivid patinas of oxidising colour.

Time, heat, moisture and the elements create an ongoing cartography of chance.

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River deltas, mountain ranges, lagoons, beaches, sandbanks.

Topographies of texture and shade, revealed in light.

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Encounter with the red-billed shaman.

A gull-like creature invites us to contemplate

the white void of falling water.

Head bowed, long neck. Wise knowing eye.

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When looking up, feels like looking down.

For an instant, on the roof, a city underneath the gaze of a drone.

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Aura of the walls.

Frescoes painted by gravity.

The staining sound of concrete stigmata:

drip

drip

drip

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Found Art – II

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This is not an easy place to access on foot, although it is visible from the trains that pass along the Fife Circle railway line. The concrete supports are usually covered with graffiti but some recent activity has painted over all of this with white geometric shapes. It is unclear whether this is some clean up intervention by the authorities, or a Year Zero initiative from the graffiti community themselves.

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Strangely, from across the tracks, tags still shout out for attention.

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Emerging from the darkness, maps and imaginary worlds dissolve in sunlight as we head back west.

Across the fields, the lumbering concrete, traverses north and south.

The giant steel stilt-walkers are heading east.

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The original intention was to incorporate this material into another post that is presently being written on quite a different theme. As this particular encounter was the result of a serendipitous detour we have chosen to post it separately.

An earlier post, underneath a different section of the M90, can be found here.

Now playing: Kayo Dot – Dowsing Anemone with Copper Tongue.

Plastic Baubles

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Ahab’s plastic baubles

scattered in the void

bellies full but starving

no need for The Pequod

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Philip Hoare. “Whales are starving – their stomachs full of our plastic waste” The Guardian, 30th March 2016.

Now playing: John Cage – Litany for the Whale.

Book Review / The Library of Congress

Delighted with this generous and perceptive review of  our book From Hill to Sea which appeared on Avocado Sweet this week.  Avocado Sweet is an eclectic mix of interesting articles on Art & Design, Architecture, Music, Writing & Film and much more. It is well worth signing up for their weekly newsletters.

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If on the off-chance you find yourself in Washington DC, you can find a copy of From Hill to Sea in The Library of Congress, the United States of America’s first established cultural institution and the largest library in the world.

We have been delighted with how far the book has travelled to date, with copies dispatched to Japan, Australia, New Zealand, Canada, USA and many countries in Continental Europe. We are very grateful that it now also has a permanent home in The Library of Congress.

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A huge thanks to Phong Tran for facilitating this. If you want to discover all sorts of interesting music from around the globe, and his own mind-expanding musical projects, then follow Phong on twitter – @boxwalla.

Now playing The Shouts From the Sea – S/T.

Ascend the Corbie Steps

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On a tilt of light

ascend the corbie steps.

 

Perch with the birds

of the shadow world.

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A big thanks to Ms AM for the photograph. A serendipitous encounter with light, shadow, birds and time.

Now playing: Seth Cluett – ‘A Radiance Scored With Shadow’ from Objects of Memory.

Cut Curve Circle

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.

Cut

.

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.

the curve

…..and call of 

……….the coastline

.

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.

a cellular circle

……….an expanding

…………………….world

.

Now playing: The Incredible String Band – ‘A Very Cellular Song’ from The Hangman’s Beautiful Daughter.

As For the Sea

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As for the sea. The sea is impossible to believe. Only by imagining it can you manage to see its reality

Clarice Lispector

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With one step, a stream is crossed

an eye on the upland hill.

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Nomadic waters falling

gathering, descending,

dreaming of the open sea.

.

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Imagine:

The sea as a source of comfort

The sea as a site of desire

The sea as a skin of violence

.

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.

We can imagine into being

red diamonds. Criss-crossing

but never containing

the sea

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.

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.

Imagine if the sea was all we had

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As if crawling on surface tension

a skeletal remnant, ghost

of the Great War.

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Now, a living sanctuary – seabirds

come, seabirds go.

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Imagine a sea-skating insect – hatched

from a Miyazaki film.

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.

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Imagine the sea rising to bleed into the sky.

What about us?

Where will we stand

When the ink smudged clouds

Fall into the sea?

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Flotsam & jetsam

Plastic shards

and dead wood.

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Between high tide

and low tide

A little more

short of breath.

.

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Photographs taken from Carlingnose Point, North Queensferry, Limekilns and Crombie on the Fife Coast.

Now playing: Sandy Denny/Fotheringay – The Sea

Above the City: Leaving / Returning

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a city is more than a place in space, it is a drama in time

Patrick Geddes

and the resourceful creatures see clearly

that we are not really at home

in the interpreted world

Rainer Maria Rilke – The Duino Elegies

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Above the city

as if the cloak

of air, on wings,

weighs too heavy.

.

A need to

take flight,

defy gravity

soar, for

a moment,

and return.

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Photographs taken looking towards the roof of the City Art Centre, Edinburgh, 6th February 2016.

Watching the cycle of leaving and returning. Leaving and returning.

Now playing: Grasscut – Everyone Was a Bird.

The Foreshore Shaman

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Enter through yellow eye

into bird mind of

the foreshore shaman.

Come inhabit the spaces

between water

earth and sky.

 

How long have you got?

I’m just biding my time

sitting still, tuning in.

 

Listen to the wind;

wave pulse, lapping

on stone. Feel, sun

and moon movements.

 

Observe worlds formed

in rock pools, constellations

of barnacles, breathe in

sea salt air.

 

I see through reflection

beyond the mirror.

 

Sense the movement

that precedes

the moment, to

 

step forward

stop time, poised

with calm intent

to pierce the void.

 

In one movement:

from the depths

a fish –

……………….Ensō !

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Heron Shaman encountered at Black Sands, Aberdour, Fife, Saturday, 16th January 2016.

Now playing: David Behrman – On the Other Ocean

In Still Winter Air

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Gothic lungs, breathe

still, winter air

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Arms outstretched

movement in stasis

a silent cry

sounded in ink

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Now Playing: Laura Cannell – ‘Banshee’ from Swooping Talons Remixes (Charles Hayward and Merlin Nova remix).

Aberdour, Fife, 16th January, 2016.